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Odd Bits and Miscellaneous Trivia

25/2/2022

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In 1894 Edward Burne-Jones designed the seal of the University of Wales.
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Returning from Hampshire at the latter part of 1943, British painter Francis Bacon (1909 - 1992) took the ground floor of 7 Cromwell Place, South Kensington, John Everett Millais’ old house and studio.
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In 1978, when Cornell University planned to add a Learning Center to the Rose Memorial Library, a dismantled window designed by Henry Holiday was unexpectedly rediscovered in a crate in the attic of the Hall of Sciences.
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Up to and during the nineteenth century there was a pigment called “mummy,”which made a lovely clear glowing brown. Now, as the story goes, it was really made out of, well, mummies. Ground up mummies. One day in 1881, Lawrence Alma-Tadema came upon his colorman at work, cheerfully grinding up Egyptian mummies for paint. Horrified and appalled, he rushed to tell his friend Edward Burne-Jones. Burne-Jones, too, was stunned. After a moment’s thought, he hurried off to his studio and returned with a tube of mummy in hand. He wanted to give it a decent burial. “So a hole was bored into the grass at our feet,” noted Georgiana Burne-Jones later, “and we all watched it put safely in, and the spot was marked by one of the girls planting a daisy root above it.”
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Pop star Kylie Minogue’s music video for “Where the Wild Roses Grow” (1995) was inspired by John Everett Millais’ Ophelia.
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A "Radical" Bake-Off?

6/2/2022

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Back in 2019, during  the Victorian Radicals tour from Birmingham, Seattle Art Museum summoned bakeries from around Seattle to create show-stopping desserts inspired by the exhibition. Participating pastry pros had one week to develop, create, and deliver their entries, which were judged on taste as well as adherence to the theme. This interpretation of Ford Madox Brown’s "The Pretty Baa Lambs” was the winning entry.
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The Aims of the Pre-Raphaelite Society:

"To promote the study of the works and lives of, and also to promote the wider appreciation of the Pre-Raphaelite Brotherhood and their successors locally, nationally and internationally; to publish or encourage publication of, writings relating to the Pre-Raphaelite Brotherhood and their successors; to hold meetings, conferences and seminars of members and others who have an interest in the Pre-Raphaelite Brotherhood and their successors and to arrange visits to places of local, national and international interest, and to co-operate with other societies with similar objectives."
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  • Home
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    • About the Society
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  • Membership
    • About Membership
    • Become a Member
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  • The Review
    • The PRS Review
    • PRS Review Archive >
      • PRS Review Archive Index
      • 2021 - Present Index
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      • 2011-2013 Index
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    • Information for Contributors
    • The PRS - USA
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