This talk gives a new perspective on one of the most haunting Pre-Raphaelite images ever created. Considering the painting through the prism of ‘the phantom flower’, Julie Whyman uncovers new research and shares, for the first time, the scope of her new methodology for interpreting flowers in Pre-Raphaelite art.
Awarded the John Pickard Essay Prize by the Pre-Raphaelite Society for her essay ‘Four Flowers and a Funeral’ (2017), Julie Whyman has a PhD from the University of York with her thesis - Dante Gabriel Rossetti’s Language of Flowers (2019). She gained a distinction in a Master of Studies in Arts and Literature from the University of Oxford with her dissertation - Exposing the Lily: Decoding Dante Gabriel Rossetti’s Sacred and Profane (2015) and published Sacred Profanity: Decoding the Lily in Dante Gabriel Rossetti’s ‘The Blessed Damozel’ in Vides (2015); the University of Oxford’s annual volume of interdisciplinary essays. She is currently publishing a series of short essays on www.pre-raphaeliteflowers.com, engaging with Pre-Raphaelite flower enthusiasts around the world. Since its launch this year the site has attracted visitors from more than 55 countries.
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